Author: John Keats
Cited by
- Jandy Nelson (1)
- IN: I'll Give You the Sun (2014) Fiction, Contemporary Fiction, Young Adult Fiction, American
EPIGRAPH: "I believe in nothing by the holiness of the heart's affections and the truth of the imagination."
FROM: Letter to friend, (1891), Letter, UK
- Richard Yates (1)
- IN: Revolutionary Road (1989) Fiction, American
EPIGRAPH: "Alas! when passion is both meek, and wild!"
FROM: Isabella, or the Pot of Basil, (1820), Poem, UK
- Ali Smith (1)
- IN: Autumn (2016) Fiction, British
EPIGRAPH: If I am destinied to be happy with you here --
How short is the longest life
FROM: To Fanny Brawne, (1819), Letter, UK
- Armistead Maupin (1)
- IN: The Night Listener (2000) Fiction, American
EPIGRAPH: I am certain of nothing / but the holiness of the heart's affections / and the truth of imagination.
FROM: To Benjamin Bailey, (1817), Letter, UK
- Scott Fitzgerald (1)
- IN: Tender is the Night (1933) Fiction, American
EPIGRAPH: Already with thee! tender is the night... but here there is no light,
Save what from heavens is with the breezes blown
Through verduous glooms and w inding mossy ways.
FROM: Ode to a Nightinggale, (1819), Poem, UK
- Jo Walton (2)
- IN: Necessity (2016) Fiction, British
EPIGRAPH: What leaf'fringed legends haunt about thy shape
Of deities or mortals, or of both,
In tempe or the dales or Arkady?
What men or gods are these? What maidens loth?
What mad pursuit? What struggle to escape?
What pipes and timbrels? What wild ecstasy?
FROM: Ode on a Grecian Urn, (1820), Poem, UK
- Romesh Gunesekera (1)
- IN: The Prisoner of Paradise (2012) Fiction, British
EPIGRAPH: A hope beyond the shadow of a dream.
FROM: Endymion, (1818), Poem, UK
- Bharati Mukherjee (1)
- IN: The Holder of the World (1993) Fiction, American
EPIGRAPH: Thou still unravish'd bride of quietness,
Thou foster-child of silence and slow time...
FROM: Ode on a Grecian Urn, (1820), Poem, UK
- Chung Yee Chong (1)
- IN: Five Takes (1974) Poetry, Singaporean
EPIGRAPH: He answer'd, bending to her open eyes / where he was mirror'd small in paradise
FROM: Lamia. Part II, (1820), Poem, UK
- Adele Griffin (2)
- IN: The Unfinished Life of Addison Stone (2014) Fiction, Young Adult Fiction, American
EPIGRAPH: I want a brighter word than bright
FROM: Letter to Fanny Brawne, (1819), Letter, UK
- Sonya Sones (1)
- IN: To Be Perfectly Honest (2013) Fiction, Young Adult Fiction, American
EPIGRAPH: Beauty is truth, truth beauty.
FROM: Ode on a Grecian Urn, (1820), Poem, UK
- Tasha Alexander (2)
- IN: And Only to Deceive (2013) Fiction, American
EPIGRAPH: Much have I travell'd in the realms of gold,
And many goodly states and kingdoms seen;
Round many western islands have I been
Which bards in fealty to Apollo hold.
Oft of one wide expanse had I been told
That deep-brow'd Homer ruled as his demesne;
Yet did I never breathe its pure serene
Till I heard Chapman speak out loud and bold:
Then felt I like some watcher of the skies
When a new planet swims into his ken;
Or like stout Cortez when with eagle eyes
He star'd at the Pacific—and all his men
Look'd at each other with a wild surmise—
Silent, upon a peak in Darien.
FROM: On First Looking into Chapman's Homer, (1816), Poem, UK
- IN: And Only To Deceive (2005) Fiction, American
EPIGRAPH: Much have I travell'd in the realms of gold,
And many goodly states and kingdoms seen;
Round many western islands have I been
Which bards in fealty to Apollo hold.
Oft of one wide expanse had I been told
That deepbrow'd Homer ruled as his demesne;
Yet did I never breathe its pure serene
Till I heard Chapman speak out loud and bold:
Then felt I like some watcher of the skies
When a new planet swims into his ken;
Or like stout Cortez, when with eagle eyes
He star'dat the Pacific - and all his men
Look'd at each other with a warm surmise -
Silent, upon a peak in Darien
FROM: On First Looking into Chapman's Homer, (1816), Poem, UK
- Mia Garcia (2)
- IN: Even if the Sky Falls (2016) Fiction, Young Adult Fiction, American
EPIGRAPH: I love you the more in that I believe you had liked me for my own sake and for nothing else.
FROM: NULL, (None), NULL, UK
- IN: Even the Sky Falls (2016) Fiction, Young Adult Fiction, NULL
EPIGRAPH: I love you the more in that I believe
you had liked me for my own sake
and for nothing else.
FROM: Letter to Fanny Brawne, (1819), Letter, UK
- Thomas Hardy (1)
- IN: The Return of the Native (1878) Fiction, British
EPIGRAPH: To sorrow
I bade good morrow,
And thought to leave her far away behind;
But cheerly, cheerly,
She loves me dearly,
She is so constant to me, and so kind.
I would deceive her,
And so leave her,
But ah! she is so constant and so kind.
FROM: Endymion, (1818), Poem, UK
- Katy Moran (1)
- IN: Hidden Among Us (2013) Fiction, Young Adult Fiction, British
EPIGRAPH: I met a lady in the meads,
Full beautiful - a faery's child,
Her hair was long, her foot was light,
And her eyes were wild.
FROM: La Belle Dame Sans Merci, (1819), Poem, UK
- Avery Williams (1)
- IN: The Alchemy of Forever (2012) Fiction, Young Adult Fiction, American
EPIGRAPH: He ne'er is crown'd
With immortality, who fears to follow
Where airy voices lead.
FROM: "Endymion", (1818), Poem, UK
- Carol Drinkwater (1)
- IN: The Forgotten Summer (2016) Fiction, Irish
EPIGRAPH: I almost wish we were butterflies and liv'd but
three summer days -- three such days with you I
could fill with more delight than fifty common
years could ever contain.
FROM: Bright Star: Love Letters and Poems of John Keats to Fanny Brawne, (2009), Poem, UK
- Jonathan Janz (1)
- IN: House of Skin (2012) Fiction, American
EPIGRAPH: I met a lady in the meads,
Full beautiful -- a faery's child,
Her hair was long, her foot was light,
And her eyes were wild.
FROM: La Belle Dame sans Merci, (1819), Poem, UK
- Robert Parker (1)
- IN: Pale Kings and Princes (1987) Fiction, American
EPIGRAPH: I saw pale kings and princes too, Pale warriors, death-pale were they all;
Who cried—'La belle Dame sans Merci Hath thee in thrall.
FROM: La Belle Dame sans Merci, (1819), Poem, UK
- Francesca Melandri (1)
- IN: Eva Sleeps (2010) Fiction, American
EPIGRAPH: Call the world, if you please the 'vale of Soul-making.' Then you will find out the use of the world.
FROM: Letter to George and Georgiana Keats, (1810), Letter, UK
- Reginald Hill (1)
- IN: An April Shroud (1975) Fiction, Crime, American
EPIGRAPH: … the melancholy fit shall fall
Sudden from heaven like a weeping cloud
That fosters the droop-headed flowers all
And hides the green hill in an April shroud…
FROM: Ode on Melancholy, (1820), Poem, UK
- Jacob Rubin (1)
- IN: The Poser (2015) Fiction, American
EPIGRAPH: ... or if a Sparrow come before my Window I take part in its existence and pick about the gravel.
FROM: Letter to Benjamin Bailey (November 22, 1817), (1817), Letter, UK
- Andrea Semple (1)
- IN: The Makeup Girl (2004) Fiction, American
EPIGRAPH: Beauty is truth.
FROM: "Ode on a Grecian Urn", (1819), Poem, UK
- David Brin (1)
- IN: Kiln People (2002) Fiction, American
EPIGRAPH: Adieu! for once again the fierce dispute
how who
why who
Betwixt damnation and impassion’d clay
Must I burn through …
But when I am consumed in the Fire,
Give me new Phoenix wings to fly at my desire.
FROM: On Sitting Down to Read King Lear Once Again, (1608), Poem, UK
- Philip Roth (1)
- IN: Everyman (2006) Fiction, American
EPIGRAPH: Here, where men sit and hear each other groan;
Where palsy shakes a few, sad, last grey hairs,
Where youth grows pale, and spectre-thin, and dies;
Where but to think is to be full of sorrow...
FROM: Ode to a Nightingale, (1819), Poem, UK
- Ron Rash (1)
- IN: The Cove (2012) Fiction, American
EPIGRAPH: Her eyes were open, but she still beheld,
Now wide awake, the vision of her sleep:
FROM: The Eve of St. Ages, (1820), Poem, UK
- Dan Simmons (2)
- IN: The Fall of Hyperion (1990) Fiction, American
EPIGRAPH: The Imagination may be compared to Adam’s dream—he awoke and found it truth.
FROM: Letter to his friend, (1817), Letter, UK
- Ewan Lawrie (1)
- IN: Gibbous House (2017) Fiction, British
EPIGRAPH: He has no identity; he is continually in for -- and filling -- some other body.
FROM: letter to Richard Woodhouse, (1818), Letter, UK
- Stuart Dybek (1)
- IN: Paper Lantern: Love Stories (2014) Fiction, American
EPIGRAPH: What mad pursiot? What struggle to escape?
What pipes and timbrels? What a wild ecstasy?
FROM: Ode on Grecian Urn, (1819), Poem, UK
- Tintania Hardie (1)
- IN: The House of Wind (2011) Fiction, British
EPIGRAPH: Do you not see how necessary a world of pains and troubles is to school an intelligence and make it a soul?
FROM: Vale of Soul Making, (1819), Letter, UK
- Stuart Dyber (1)
- IN: Paper Lantern Love Stories (2014) Fiction, American
EPIGRAPH: What mad pursuit? What struggle to escape?
What pipes and timbrels? What wild ecstasy?
FROM: "Ode on a Grecian Urn", (1819), Poem, UK
- Ruth Dugdall (1)
- IN: The Sacrificial Man (2014) Fiction, British
EPIGRAPH: Now more than ever seems it rich to die,
To cease upon the midnight with no pain...
FROM: Ode to a Nightingale, (1819), Poem, UK
- Joseph Conrad (1)
- IN: Typhoon (1902) Novella, British
EPIGRAPH: Far as the mariner on highest mast Can see all around upon the clamed vast, So wide was Neptune's hall ...
FROM: Endymion, (1818), Poem, UK
- Jo Putney, Mary (1)
- IN: The Wild Child (1999) Fiction, American
EPIGRAPH: I met a lady in the meads
Full beautiful, a faery’s child;
Her hair was long, her foot was light,
And her eyes were wild.
FROM: “Le Belle Dame Sans Merci", (1819), Poem, UK
- Susan Vreeland (1)
- IN: Girl in Hyacinth Blue (1999) Fiction, American
EPIGRAPH: Thou still unravished bride of quietness
Thou foster-child of Silence and slow Time...
Thou, silent form! dost tease us out of thought
As doth eternity.
FROM: NULL, (1819), Poem, UK
- Marie Corelli (1)
- IN: Ardath (1889) Fiction, NULL
EPIGRAPH: What merest whim
Seems all this poor endeavor after Fame
To one who keeps within his steadfast aim
A love immortal, an Immortal too!
Look not so 'wildered, for these things are true
And never can be borne of atomics
That buzz about our slumbers like brain-flies
Leaving us fancy-sick. No, I am sure
My restless spirit never could endure
To brood so long upon one luxury.
Unless it did, though fearfully, espy
A HOPE BEYOND THE SHADOW OF A DREAM!
FROM: NULL, (None), Poem, UK